Art Literature and Material Culture in the Medieval World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If yous've ever taken an art history form or spent time in a fine arts museum, chances are you know a lot about the men who "divers" their mediums. As with other subjects, well-nigh of what nosotros learn nigh fine art history today yet centers on white men from Europe and, afterwards, the Us. In reality, at that place are then many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a look at simply some of the women who take had lasting impacts on their art forms. From some of the fine art world's nigh iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, all the same take a hand — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. Afterwards studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Flick Stills (1977–lxxx). serial. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of diverse generic female film characters, among them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A still from the performance Cutting Slice, 1964, and a motion-picture show of the installation Half-A-Room, 1967, as seen at the Museum of Mod Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might showtime think of Yoko Ono every bit a musician and activist, but she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance fine art motion, earning the nickname the "Loftier Priestess of the Happening".

One of her about revered works, Cutting Piece, was a performance she start staged in Japan; Ono sat on stage in a prissy conform and placed scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come on stage and cut away pieces of her vesture. "Art is similar breathing for me," Ono has said. "If I don't practice it, I start to choke."

Betye Saar

Betye Saar's Blackness Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Fine art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking constituent inverse her entire career trajectory — and, in turn, role of the trajectory of art history.

Saar was part of the Black Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin get the viewer to await at a piece of work of art, then you might be able to give them some sort of message."

Frida Kahlo

People wait at Frida Kahlo's 1939 painting Las Dos Fridas at the Globe Forum of Culture in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, brilliant colors to create her symbol-rich works, and was regarded as i of the almost influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's also known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Outset Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale pare tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New United mexican states'due south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to proceeds the respect of the New York art world, all by painting in her unique manner.

Adrian Piper

Adrian Piper wins the Golden Lion for all-time artist in Okwui Enwezor's biennial exhibition All the Globe's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question order, identity, and racial politics by demanding the audience to confront truths about themselves. She oftentimes challenged people on the streets of New York to guess her race, socio-economical course, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her dress.

Shirin Neshat

Shirin Neshat'south poses in forepart of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, moving picture, and video work, much of which explores the relationship between Islam'due south cultural and religious systems and women. Moreover, Neshat's works oft create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on diverse concepts, such as trauma, knowledge, and hope. One of her more notable works, I Olfactory property You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to enhance sensation around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Ethnic woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is improve known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual fine art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Exterior of Love, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop fine art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early Feminist Art movement. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces oft examine the role of women in history and civilisation — in the 1970s and before. While at California Land University in Fresno, Chicago founded the offset feminist art program in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating breathtaking sculptures, often of Black folks, Barbarous founded the Fell Studio of Craft in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Only look upwards her most famous work, Interior Curlicue, and you'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In addition to documenting New York Metropolis'due south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her concluding proper name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.

Ruth Asawa

Diverse hanging sculptures past Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south last public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Nevertheless from Sin Sol (No Sunday) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Affect Award at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such every bit racism, gendered violence, and climate modify.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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